Something 2020

I imagine an indivisible world. This draws me to explore the relationships between pairs of things, and to focus on expressing the ambiguity around boundaries through my jewellery.

In this series, I’m thinking about the relationships between artefacts and natural objects, high- and low-technology, mass production and one-offs. The combining materials are stocking fabric, plastic, lacquer, colour pigments and sand, using the hollow dry lacquer technique. I combine elements of plastic packaging into an organic shape, then cover the form with stocking fabric to make it even more ambiguous. In traditional hollow dry lacquer technique, the lacquer is usually applied on a natural cloth similar to hemp or linen to make the shapes, but I substitute stocking fabric to get smoother curves and a finer, more delicate feeling.

*Kanshitsu (hollow dry lacquer technique) is used in traditional sculpture, where layers of woven hemp soaked in urushi (lacquer) are moulded over a clay core to build the form. The clay core, is then removed. The resultant works are very light because the inside is hollow. The technique was used to produce many of the earliest Buddhist statues in 7~8th century Japan.
Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925, Stainless steel

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925, Stainless steel

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925, Stainless steel

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925, Stainless steel

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Stocking, Urushi, Pigment, Sand, Black chrome plating shibuichi, Silver925

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black chrome plating shibuichi, Silver925, Nickel silver

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black chrome plating shibuichi, Silver925, Nickel silver

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black chrome plating shibuichi, Black ceramics plating brass, Silver925, Nickel silver

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black chrome plating shibuichi, Black ceramics plating shibuichi, Silver925

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black chrome plating shibuichi, Black ceramics plating shibuichi, Silver925

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black ceramics plating shibuichi, Black ceramics plating brass, Silver925, Nickel silver

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black ceramics plating shibuichi, Silver925, Nickel silver

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black ceramics plating shibuichi, Black ceramics plating brass, Silver925

Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2020

Brooch

Plastic, Stocking, Urushi, Pigment, Black ceramics plating shibuichi, Silver925

  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2020 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Photo by Asaco Suzuki

Vessels

I made some small vases objects because I'd like to try to think about man through universal tools. We invented a lot of tools from ancient time, especially women related vessels in a house. The vases have functional shapes and poetic atmosphere for me.
Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Stone, Silver925, Brass

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Tinplate box, Glass, Silver925, Stainless steel

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, 24K plated brass, Silver925

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, 24K plated silver, Silver925

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, Silver925

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, Silver925

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, 24K gold dust, Silver925

Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]

Vessels

object / vase

Stocking, Urushi, Pigment, Sand, Glass, Silver925

Vessels / object/vase, Brooch / Yuki Sumiya [contemporary jewellery and object]

Vessels

Jewellery

  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / object/vase / Yuki Sumiya [contemporary jewellery and object]
  • Vessels / object/vase,Brooch / Yuki Sumiya [contemporary jewellery and object]

Photo by Asaco Suzuki

Something 2019

In this series, I enjoy to make a shape combine the artifact and the natural objects, the machine-made and the handmade. I choose some shape from the industrial products and I combine them to create a new shape. I used urushi (Japanese lacquer), color pigments and sand on the surface. The resultant works are very light because the inside is hollow. The basic technique came from hollow dry lacquer technique that is one of the Japanese lacquer technique. In traditional hollow dry lacquer technique, the lacquer is usually applied on a natural cloth similar to hemp or linen to make the shapes, but I substitute stocking fabric to get smoother curves and a finer, more delicate feeling. The technique was used to produce many of the earliest Buddhist statues in 7~8th century Japan.
Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 10K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 10K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, Sand, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, Sand, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, Sand, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, Sand, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 14K gold, Stainless steel

Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Something 2019

Brooch

Stocking, Urushi, Pigment, 14K gold, Stainless steel

  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • Something 2019 / Brooch / Yuki Sumiya [contemporary jewellery and object]

Photo by Yuko Okoso

City

About City...
City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

City / Brooch / Yuki Sumiya [contemporary jewellery and object]

City

Brooch

Silver925, Urushi, Pigment, Wood

  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]
  • City / Brooch / Yuki Sumiya [contemporary jewellery and object]

Photo by Asaco Suzuki

Garden

In the ‘Garden’ series, I’m principally experimenting with the ideal relationship between man and nature. When I see this, for example in the synthesis of the natural and man-made in a beautiful garden, where the gardeners have thinned out the cedar trees, erected fences incorporating the original trees, and also sown lawns interspersed with concrete surfaces, the perfect balance that can be achieved between nature and human intervention moves me. I want to ask, “How can we, man and nature, co-exist?”

In the ‘Garden’ series, both the materials, silver and synthetic sponge, come originally from under the earth, since synthetic sponge is made from oil. When I use green sponge in my work, I use it to symbolize nature, but actually it is a man-made copy of nature.

This complex aspect of the combination of natural metal with synthetic sponge also raises the question of where the value lies in the piece.
Blue pool / Brooch

Garden

Necklace

Oxidized silver
sponge
wire
[Selected for Schmuck 2015]

oxidized silver, sponge

Garden

Brooch

oxidized silver
sponge
[Selected for Schmuck 2015]

oxidized silver, sponge

Garden

Brooch

18K plating silver
sponge
[Selected for Schmuck 2015]

oxidized silver, sponge

Garden

Brooch

oxidized silver
sponge

oxidized silver, sponge

Garden

Brooch

18K plating silver
sponge

oxidized silver, sponge

Garden

Brooch

oxidized silver
sponge

oxidized silver, sponge

Garden

Brooch

18K plating silver
sponge

oxidized silver, sponge

Garden

Brooch

oxidized silver
sponge

oxidized silver, sponge

Garden

Brooch

oxidized silver
sponge

画像10

Garden

Brooch

oxidized silver
sponge

画像11

Garden

Brooch

oxidized silver
sponge

画像12

Garden

Brooch

oxidized silver
sponge

画像13

Garden

Brooch

oxidized silver
sponge

画像14

Garden

Brooch

oxidized silver
sponge

画像15

Garden

Brooch

oxidized silver
sponge

画像16

Garden

Brooch

oxidized silver
sponge

画像17

Garden

Brooch

oxidized silver
sponge

画像18

Garden

Brooch

oxidized silver
sponge

  • Garden / Necklace
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch
  • Garden / Brooch

Photo by Asaco Suzuki

Memory and Oblivion

Perfect house

I chose the concept of 'Memory' for this work because we respond differently to things, remembering some, forgetting others. I'm trying to find my own place now by piecing together the memories of a house, which still linger in my mind. The jewellery becomes a collage of fragments from my fragile memories.
White wheel / Brooch

White wheel

Brooch

shibuichi
acrylic painted wood

Black window / Brooch

Black window

Brooch

shibuichi

Dawn window / Brooch

Dawn window

Brooch

shibuichi

Four window / Brooch

Four window

Brooch

shibuichi
silver

Ladder / Brooch

Ladder

Brooch

shibuichi
silver
wood
acrylic paint

Perfect house / Brooch

Perfect house

Brooch

shibuichi

Perfect house / Brooch

Perfect house

Brooch

shibuichi
silver
10K gold

Perfect house / Brooch

Perfect house

Brooch

shibuichi
silver

Perfect house / Brooch

Perfect house

Brooch

shibuichi
10K gold

Perfect house / Brooch

Perfect house

Brooch

silver
10K gold

Perfect house / Object

Perfect house

Brooch

shibuichi
silver
brass

White window / Brooch

White window

Brooch

shibuichi
silver
acrylic paint

  • White wheel / Brooch
  • Black window / Brooch
  • Dawn window / Brooch
  • Four window / Brooch
  • Ladder / Brooch
  • Perfect house / Brooch
  • Perfect house / Brooch
  • Perfect house / Brooch
  • Perfect house / Brooch
  • Perfect house / Brooch
  • Perfect house / Object
  • White window / Brooch

Where is the value?

Money, power, science and technology, all elements that arise in the process of societies' development, bring both advantages and disadvantages. Our abundant era is also the era of nuclear power, environmental destruction and human rights issues. I want to question what we mean by ‘value’ in our lives. What is happiness? What is wealth? Where can we find value?

These pieces use pebbles, eroded by the waves on the beach. Pebbles, constantly being eroded through the movements of river currents or ocean waves, are a metaphor for evolution. The gold-plated pebbles symbolize lives enriched through technological advance, money, power and science. The veneer of gold will eventually wear off because it is artificially applied to the surface.

Perhaps the un-plated pebbles personify natural wisdom, and have a different but equal value to the gold-plated ones? So, where is the value?
Where is the value? / Pin

Where is the value?

Pin

pebbles
silver-mirror plated
gold painted
resin with acrylic

  • Where is the value? / Pin

Permanence and transience

I want to express the life cycle through these pieces. Life is about transience and permanence. I was inspired by ice floes because ice is a form that water can only hold temporarily. Our lives too are temporary events in nature’s work, like ice in the cycle of water.
Also, the precious things of every day may easily be lost. They are fragile and transient, like snow or ice. Ice is the shape of memories, precious moments frozen in time.
Ipermanence and transience

Ice

Pin, Earring

rhodium plated silver

Ice / Pin, Earring

Ice

Pin, Earring

rhodium plated silver

permanence and transience

Ice

Pin, Earring

rhodium plated silver

  • Ice / Pin, Earringe
  • Ice / Pin, Earring
  • Ice / Pin, Earring

Photo by Hiroshi Katayose

The Past and Future

Somehow, forms that haven't changed for a long time fascinate me. For me, such shapes are simple, attractive,lovable. They were invented by someone, somewhere, but now fit anonymously into our daily lives.
Roll / Brooch and Pendant

Roll

Brooch or Pendant

shakudo
cotton thread
silver
paper thread

Roll / Pendant

Pendant

Pendant

silver
cotton thread
wax

Roll / Pendant

Roll

Pendant

silver
paper thread

Roll / Pendant

Roll

Pendant

silver
paper thread

Roll / Pendant

Roll

Pendant

silver
cotton thread

Roll / Pendant

Roll

Pendant

silver
cotton thread

Roll / Pendant

Roll

Pendant

silver
cotton thread

Roll / Pendant

Roll

Pendant

silver
cotton thread

  • Roll / Brooch and Pendant
  • Roll / Pendant
  • Roll / Pendant
  • Roll / Pendant
  • Roll / Pendant
  • Roll / Pendant
  • Roll / Pendant
  • Roll / Pendant

The Ordinary and The Extraordinary

Many layers of distant memories and fragments of emotion, voyage never end completely, but become part of my daily life.
White artifact

White artifact

A boat / Brooch

A boat

Brooch

shibuichi

After a fire / ring

After a fire

ring

shibuichi
silver

Black butterfly / Brooch

Black butterfly

Brooch

shibuichi

Two / Brooch

Two

Brooch

silver

distant smoke / Brooch

distant smoke

Brooch

copper
silver

distant smoke / Brooch

distant smoke

Brooch

copper
silver

distant smoke / Brooch, Pendant

distant smoke

Brooch, Pendant

copper

Too much smoke / Brooch

Too much smoke

Brooch

shibuichi

Twilight / Brooch

Twilight

Brooch

copper
iron
shibuichi

Unforgettable / Brooch

Unforgettable

Brooch

iron
copper

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

White artifact / Brooch

White artifact

Brooch

silver

Bottles / Brooch, Earring

Bottles

Brooch, Earring

oxidized silver
copper
18K gold plated silver
shibuichi

Bottles / Brooch, Earring, Pendant

Bottles

Brooch, Earring, Pendant

oxidized silver
opper
18K gold plated silver
shibuichi

Bottles / Brooch, Earring, Pendant

Bottles

Brooch, Earring, Pendant

oxidized silver
copper
18K gold plated silver
shibuichi

Bottles / Earring, Pendant

Bottles

Earring, Pendant

oxidized silver
copper
18K gold plated silver
shibuichi

Bottle / Pendant

Bottle

Pendant

copper
linen

  • White artifact
  • A boat / Brooch
  • After a fire / ring
  • Black butterfly / Brooch
  • Two / Brooch
  • distant smoke / Brooch
  • distant smoke / Brooch
  • distant smoke / Brooch, Pendant
  • Too much smoke / Brooch
  • Twilight / Brooch
  • Unforgettable / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • White artifact / Brooch
  • Bottles / Brooch, Earring
  • Bottles / Brooch, Earring, Pendant
  • Bottles / Brooch, Earring, Pendant
  • Bottles / Earring, Pendant
  • Bottle / Pendant

    • Photo by Rai Shizuno | Federico Cavicchioli

Sense and Memory

Fragments of memories

Fragments of memories

Pin

printed plastic sheet
18K gold

Fragments of memories

Fragments of memories

Pin

printed plastic sheet
18K gold

Accumulate #1 / Necklace

Protection #1

Necklace

stocking
sand
lace
wax
acrylic paint

Accumulate #2 / Necklace

Protection #2

Necklace

stocking
sand
wax
acrylic paint

Accumulate #3 / Brooch

Protection #3

Brooch

stocking
sand
lace
wax
silver

Accumulate #4, #5 / Brooch, Bracelet

Accumulation #1

Brooch, Bracelet

stocking
cotton thread
silver

Accumulate #6 / Bracelet

Accumulation #2

Bracelet

stocking
cotton thread
wax

  • Fragments of memories
  • Fragments of memories
  • Accumulate #1 / Necklace
  • Accumulate #2 / Necklace
  • Accumulate #3 / Brooch
  • Accumulate #4, #5 / Brooch, Bracelet
  • Accumulate #6 / Bracelet

Photo by Federico Cavicchioli

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